Blog | The Script Department

Smart Objects | The Devil is a Woman

by Ria Woodburn | Gillian Flynn is a champion at writing wicked women, and none are as great as the characters in Sharp Objects (2018)....

Our Affection for Animation

by Brad Brookes | One sunny afternoon in June last year, I took my kids to see the much-anticipated Toy Story 4 at the cinema... At three...

In-Depth With Jed Mercurio

| By Laura Owen Jed Mercurio is one of Britain's most prolific screenwriters with his writing gracing our screens for the last 24 years,...

Stories of the Personal | In Conversation with Ruth Hayes

| By Marcus Armstrong Ruth Hayes is an actor for stage and screen, as well as a regular voice actor on The Script Department podcast....

REVIEW: I CARE A LOT

| By Ria Woodburn When She Was Bad, She Was Horrid In the words of screenwriter Christopher Volger, "despite its infinite variety, the...

Ten Pages | Drive: The Midpoint

I By Laura Owen "The midpoint is often a highly intense pivotal moment, twist, or reversal that re-energises the hero on his quest." -...

Ten Pages | John Wick

In the first instalment of this Ten Pages series, we're going to be looking at the script of John Wick.

A Simple Favor | Scripts To Read

When Stephine's new bestie, Emily, goes missing, she takes it upon herself to uncover the mystery of her disappearance.

Skyfall | Scripts To Read

An ex-MI6 agent steals top-secret information in an effort to seek out revenge on the woman that betrayed him, M.

On Gossip Girl and Grief

I By Emma-Lee Miller On the off chance you missed the initial iconic run of the mid-2000s time capsule known as Gossip Girl, you might...

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