Review | Dead to Me
by Laura Owen | Dead to Me launched its second season on Netflix last May, bringing back its well-match leads Christina Applegate and...
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John Finnegan
- 5 min
Review | Away
by Laura Owen | Away is one of Netflix’s latest releases and one of their most ambitious ones yet. Set in the near future the series...
John Finnegan
- 6 min
A Saccharine Sorkin
by Anosh Aibara | The Trial of The Chicago Seven is a gripping courtroom ensemble with some of the greatest performances of the year....
John Finnegan
- 6 min
Smart Objects | The Devil is a Woman
by Ria Woodburn | Gillian Flynn is a champion at writing wicked women, and none are as great as the characters in Sharp Objects (2018)....
John Finnegan
- 6 min
Our Affection for Animation
by Brad Brookes | One sunny afternoon in June last year, I took my kids to see the much-anticipated Toy Story 4 at the cinema... At three...
John Finnegan
- 7 min
REVIEW: I CARE A LOT
| By Ria Woodburn When She Was Bad, She Was Horrid In the words of screenwriter Christopher Volger, "despite its infinite variety, the...
John Finnegan
- 9 min
Ten Pages | Drive: The Midpoint
I By Laura Owen "The midpoint is often a highly intense pivotal moment, twist, or reversal that re-energises the hero on his quest." -...
John Finnegan
- 9 min
Ten Pages | John Wick
In the first instalment of this Ten Pages series, we're going to be looking at the script of John Wick.
John Finnegan
- 7 min
On Gossip Girl and Grief
I By Emma-Lee Miller On the off chance you missed the initial iconic run of the mid-2000s time capsule known as Gossip Girl, you might...
John Finnegan
- 6 min
We Are Who We Are: Dual Protagonists and Secondary Characters
I By Ria Woodburn Director Luca Guadagnino describes his first venture into television, We Are Who We Are (2020), as an ‘immersive...
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