#TheScriptDept7 minOn Gossip Girl and Grief I By Emma-Lee Miller On the off chance you missed the initial iconic run of the mid-2000s time capsule known as Gossip Girl, you might...
#TheScriptDept6 minWe Are Who We Are: Dual Protagonists and Secondary Characters I By Ria Woodburn Director Luca Guadagnino describes his first venture into television, We Are Who We Are (2020), as an ‘immersive...
#TheScriptDept6 minMission: Impossible - Raising The Stakes I By Laura Owen Mission: Impossible has been entertaining audiences for the past 25-years and with two more instalments due to be...
#TheScriptDept6 minThe Snyder Cut | The Director SwitcherooChanging creative direction while filming can often cause issues with the pace and structure of a movie.
#TheScriptDept7 minReview | The Last of Us Part 2The Last of Us Part 2 follows returning character, Ellie, now driven by revenge.
#TheScriptDept4 minDefending Jacob: Family is Unconditional t first glance Chris Evans’s latest venture Defending Jacob looks like nothing more than another ‘whodunit’ story.
#TheScriptDept3 minThe Morning Show: Writing a Powerful Antagonist It’s clear why The Morning Show is one of Apple TV’s big hitters from its complex characters to its stellar performances.
#TheScriptDept5 minTelling it for TellyAdaptation has been a mainstay of film and television since its inception.
#TheScriptDept5 minThe Power of PixarScreenwriter Al Butter deconstructs what makes Pixar's stories so powerful.
#TheScriptDept4 minReview: Dark Waters (2019)By John Finnegan | Mark Ruffalo is quickly building an impressive portfolio of work which sheds light on social problems (see Spotlight)...
#TheScriptDept9 minDunkirk Film Analysis – Going to War with Convention Writer/director Christopher Nolan’s Dunkirk held the Number One spot at the American box office for its first two weeks.
#TheScriptDept5 minIt’s Getting Crazy Out There: Reinventing the Joker AgainIt’s hard to go in to watch Todd Phillips’ Joker without any pre-conceived thoughts and ideas.
